Tiësto at Club Glow Washington DCGLOW Washington DC presents:

Tiësto
tiesto.com // myspace.com/tiesto
facebook.com/tiesto
youtube.com/user/officialtiesto

Opening Set by Craig Pettigrew
Doman+Pettigrew

Saturday, October 16 2010
Fur Nightclub
33 Patterson St NE Washington DC
Doors Open at 9pm, Ages 21+

Purchase your tickets here!

Show Preview

PURCHASE YOUR TICKETS FOR TIËSTO AT CLUB GLOW HERE

For the last decade, Tiësto has been a name synonymous with greatness, prominence and majesty. His music inspires feelings of epic nostalgia, hedonistic appetite and utter euphoria. His live performances become instant classics. And the legend continues.

It’s very rare nowadays a DJ of his magnitude agrees to spin with no frills or gimmicks. Join us on Saturday, October 16 for an intimate evening as Tiësto spins from the booth at Club Glow. No stage, no LEDs, no hoopla. Just you, Tiësto and the music.

THIS EVENT WILL SELL OUT, PURCHASE YOUR TICKETS HERE

Bio

If it’s Wednesday it must be Latvia. Tonight Tiësto plays to 15,000 dance enthusiasts and music fans in the Baltic State. Already this week the legendary Dutch DJ has wowed the Balearic masses at his summer-long Monday residency at Privilege. Tomorrow he’s off to Italy. The day after, Greece.

This is very much business as usual for Tiësto, the ultra-busy DJ who turned the playing of trance music into an artform and whose achievements are unsurpassed.

Inspired by the likes of U2, he invested heavily in the live aspect of his sets, employing his own sound, light and visual crews, creating arena-friendly dance music spectaculars. In 1997 he formed his own label, Black Hole Recordings, to release both the records he made himself and ones made by likeminded electronica visionaries. He has been nominated for a Grammy, had worldwide hit singles (his remix of Delerium’s Silence featuring Sarah McLachlan; Dance4Life featuring Faithless’s Maxi Jazz), performed at the opening ceremony of the Athens Olympics with music he composed especially for the occasion, wowed the rock festival crowds at Coachella, and remixed the likes of The Killers, Yeah Yeah Yeahs and Bloc Party. He is, in short, the biggest DJ in the world.

“Because people care,’ is Tiësto’s response when asked to account for his huge success, ‘and they see that I care. I’m very honest in what I do. It’s not an act or a gimmick. It’s pure, it’s emotion.

When you see me DJ you know I feel it and I love what I do. The real thing. When you see me play you know you are seeing someone who plays not because he has to but because he loves it. For this champion of the people, it’s not just about his undeniable ability to create a party in any venue, large or small, in any place in the world, but also about how the music moves people. Makes them feel something. People write letters saying, “I was going through a bad period but your music and your show made me feel good.”

But 2009 is also very much about business as usual for Tiësto. After a run of four top-selling electronic artist albums, the electronic pioneer has made Kaleidoscope, an artist album in the truest sense: a stunning collection of songs written and recorded in collaboration with a variety of music talents from the worlds of dance, pop and rock: Jónsi Birgisson from Sigur Rós, Kele Okereke from Bloc Party, Nelly Furtado, Calvin Harris, Emily Haines from Metric, to name a few. Having made the DJ performance an artform, Tiësto has now made the dance album an artform.

“The starting point was to work with different artists that I liked,’ Tiësto explains, ‘it was as simple as that. ‘Sigur Rós make beautiful music. Bloc Party are fantastic and exciting and innovative. But the hardest thing initially was to get those kind of people to collaborate. They don’t work with dance artists as a rule, and especially not a dance DJ, but when we started producing these tracks, I was surprised at how well the styles work together.”

Once the artists had seen YouTube clips of Tiësto’s crowd-wowing performances, like the one of him playing in front of 250.000 people on the beach in Brazil, and once they’d heard the tracks he’d been writing, they all jumped at the chance.

First on board were Tegan and Sara, the Canadian indie duo and twin sisters. Tiësto had remixed their single “Back In Your Head”, and in June 2008 they met in Vancouver. “I realised what great songwriters they are – I gave them a track to write on and they did an amazing job.” In his home studio in his hometown of Breda in Holland, Tiësto set to work finessing the collaboration. “Feel It In My Bones” is the result, an epic, shimmering floorfiller.

Soon the songs were pouring in. Nelly Furtado and Tiësto started off as mutual admirers, but after making her way to Tiësto’s performance at the 2008 Miami Winter Music Conference (she’d come along with her producer Timbaland) Furtado instantly agreed to be involved, and a few weeks later she gave Tiësto an idea for a song that would become, “Who Wants To Be Alone”. Next to sign up was Emily Haines of Metric. She caught the thrilling Tiësto DJ Experience in Ibiza last summer and again, didn’t hesitate – “Knock You Out” is a euphoric tune that will cause floorquakes in the Balearic isles and rock festivals alike.

Securing the involvement of Kele Okereke, singer with Bloc Party, was initially more of a challenge. “Kele’s voice is so powerful on a dance track – I did a remix for Bloc Party, of the band´s new single “One More Chance”, and it really worked. Kele was a hard man to pin down. I was supposed to sit in the studio with him in Miami during this year’s WMC, but he got sick and had to cancel last minute. But I had written this weird piano track, an offbeat thing, and he really liked it, so we hooked up in London one Sunday afternoon a few weeks later. I played him the song and he just started singing with his guitar, mumbling a little bit then suddenly words came out of his mouth… and suddenly we had a track! It was amazing to see how this guy made something cool and creative right on the spot.”

The album’s lead single, meanwhile, is “I Will Be Here”, a hook-up with huge-selling Australian band Sneaky Sound System. It’s a big, bold party tune with a stirring house-diva vocal – and a song whose infectious immediacy reflects the instinctive manner in which Tiësto wrote it: he crafted the entire production in less than week.

Creating Kaleidoscope, the song that gives this colorful, shapeshifting album its entirely appropriate title, was more drawn-out. Tiësto had his heart, and his ears, set on securing the services of Sigur Rós singer Jónsi Birgisson. Tiësto flew to Chicago to track him down, then did the same in Brussels, before finally spending time in Amsterdam discussing what they might do together.

“It was a crazy idea,’ he laughs. ‘If you listen to Sigur Rós you can’t imagine any relation to Tiësto. Maybe the melancholy of it, but that’s about it. Their music is so different and I think that Jónsi is one of the most creative artists in the world. But the funny thing was, I met him at a couple of times at shows, and there’s a lot more in common than I thought – Jónsi told me he used to be a big Iron Maiden fan as well, like I was! Then I noticed that he makes a lot of dance music at home on his own. So he’s not that far away from what I do, really.”

The result is a huge, progressive trance song, soulful and uplifting. “And Kaleidoscope is a great title for the album too. We’re mixing shapes and colors together to make something new.”

Say hello to a new Tiësto. Yes, he’s the world’s most popular DJ. But the ceaseless desire to innovate that has pushed Tiësto to the top of his game, propelled him to seek out some of the best musicians around, wherever in the world they – or he – happened to be. “I’ve worked with these handpicked artists because they´re people I admire hugely, and because they make my music better. It’s more fulfilling for me to work like this, but a lot harder and more challenging.”

In the end, admits Tiësto, he’s unsure how people will react to Kaleidoscope. “It is completely different to what I did before,’ he says cheerfully, adding that this is one of the reasons he´s set up an appropriately named new label, Musical Freedom, to release the album. ‘I’m introducing more and more flavors of what people know as Tiësto. This is a record you can enjoy at home, not just on the dancefloor. But what is very important to me, is that every single track on the album will work when I play out too.”

He’s not the world’s greatest DJ for nothing…


Skeet Skeet at Ultrabar Nightclub Washington DC ClubsThis Friday at POP at Ultrabar Nightclub we’ve got DJ Skeet Skeet doing a guest set on the main floor!

Who is Skeet Skeet?  In 2007 he teamed up with Shwayze and Cisco Adler to complete the Shwayze outfit. Since then the band has made their mark with a top 40 single, a performance at KIIS’ Wango Tango, TRL Live Performances for MTV Spanking New Music Week, and a national televised commercial spot for the new Pontiac Vibe.

In the last year or so Skeet has played for crowds of more than 20,000 at festivals like Bacardi B-live, Bud Bowl, and Street Scene while simultaneously pumping out remixes for acts like Katy Perry, Fergie, Boys Like Girls, Shop Boyz, and Shwayze. This summer Skeet will be the first DJ ever to play the entire Vans Warped Tour; a traveling festival usually reserved for punk and indie rock bands. DC Nightclubs.

And of course, don’t forget the great DJs playing the best music on the 4 dancefloors throughout the club!

Main Floor: DJ Geometrix (followed by Skeet Skeet
Top 40, Mashups, Hip Hop

POP Floor (Vault): DJ Maskell
Pop Dance, Pop House

Bedroom (2nd Floor): NV & Bomba
Latin Music, Reggaeton, etc.

Chroma (3rd Floor): DJ Spaz
Mashups, Dance, House

Plus, you can get in FREE to this event, just print out the pass below, show it at the door, and party on!

Robbie Rivera at GlowGLOW Washington DC presents:

Robbie Rivera
Juicy Music // robbierivera.com
myspace.com/robbierivera

Opening Set by RNS

Thursday, October 14 2010 at Lima Restaurant & Lounge
1401 K St NW Washington DC
Doors Open at 10pm, Ages 18+

Purchase your tickets here!

Show Preview

If you were at Lima the last time Robbie Rivera was here then we don’t even need to say anything… The people, the music, the vibe and energy… It was all there. It was easily the most packed Lima has been since Glow began calling the DC super lounge home.

He dropped everything from ‘Strings of Life’ and ‘Float Away (GnD Remix)’ to remixes of System F- Out of the Blue and Eric Prydz – Call on Me. It was just absolutely amazing. Reading the review from that set gives us goosebumps!!

This event is not to be missed. Come on out and SQUEEZE that JUICE!!!

Bio

Robbie Rivera, born in 1973 in San Juan, Puerto Rico, had his first encounter with music when he was only 10-years-old. Buying records from acts like New Order, Depeche Mode and U2, it wasn’t long before he started spinning records. “I was 13 and had two turntables and a mixer,” he says. “I did not know what beat mixing was until it happened accidentally. I taught myself.”
While improving upon his mixing skills, he took his first steps in producing music the old fashioned way. Said Rivera, “When I was about 15 years old, the richer kids had the instruments. One of my friends let me use his Roland drum machine all the time and he eventually gave it to me. I also had a real drum kit in my room.” Steadily, he moved on. “I was sequencing beats at 16 and doing my own edits of tracks using a two track reel-to-reel machine.” He continues, “Yes, it was real tape-splicing editing, back the! Definitely not computer kid’s stuff!”

In 1992, Robbie moved to Miami, and in 1996, he released his first record, a real Latin house track on Juicy Music, titled, “El Sorrullo.” The track lead to an endless string of productions which were released on established labels like Subliminal, Filtered, Positiva, Mos, Azuli and Strictly Rhythm. His music was licensed everywhere. “My track, ‘Bang,’ was my first crossover hit, and cuts like “Sex” and “Funkatron” were huge for me at that time. I consider it a highlight in my career that ‘Funkatron’ was used for the closing of the Victoria’s Secret winter fashion show on CBS-TV, while ‘Bang’ reached #13 on the UK charts and made it to the ‘Top 10′ in Australia.”

All of this success pushed Rivera towards an important step. He said, “I had to continuously shop my music everywhere, and I got tired doing that. That’s the reason, in 1998, I officially established my own label, Juicy Music.” The label also gave Rivera the tools to identify Juicy Music’s philosophy. In Rivera’s own words, the Juicy Music sound is, “Tough, sexy, house music!” Nineteen-ninety-eight was also the fortuitous year Rivera wed his long-time sweetheart and current business partner, Monica Olabarrieta. Together, they run the Juicy Music imprint.

Rivera’s first big name remix for Faithless, “Bring My Family Back,” introduced him to an ever growing audience. Many remixes followed, and artists like Felix Da Housecat, Madonna, Kylie Minogue, Gabriel & Dresden, Moloko, Bob Sinclar, Benny Benassi, Sinead O’Connor, Ferry Corsten, Ricky Martin, Santana, Steve Angello, Coburn, Superchumbo, David Guetta, Tocadisco, Pink and Basement Jaxx came clamoring to enlist Rivera’s prowess.

Rivera released his first artist album, Do You Want More, which became an acclaimed success. The cut, “Which Way You’re Going” hit the Billboard chart, while his big room anthem, “Float Away” (re-released in 2007) became a global big-seller.

In 2008, Rivera’s appropriately titled second artist album, Star Quality, was cruising on the dance charts and was picked up for major global releases later that year. The album included, “Back to Zero” and “Move, Move,” two tracks that were favored by fellow big hitters such as David Guetta, Paul van Dyk, Tiësto and Rivera himself, whose crowds sing along to the melodies. The two huge tunes gained traction at WMC (Winter Music Conference) and went on to have music fans humming all summer as they appeared on that year’s most popular mix compilations: Cream mixed by van Dyk, F*** Me I’m Famous by Guetta, Pure Pacha by Pete Tong, Gatecrasher, and Juicy Ibiza mixed by Robbie Rivera. Other releases like, “Aye, Aye, Aye” feat. C+C Music Factory, “One Eye Shut” feat. Laura Vane, and “Escape,” also form part of Rivera’s impressive repertoire since their release.

Rivera’s distinctive brand of sexy, pounding, dirty, electro-tinged house music ignites dance-floors across the globe, while the world’s top artists queue up to have Robbie put his sound to their tracks. Touring nonstop, Rivera’s music regularly packs dancefloors throughout Ibiza, Barcelona, South America, Poland, Puerto Rico, NYC, Brazil, Los Angeles, Chicago, London, Asia, Italy, Tunisia, Canada, Moscow, Australia, Vienna, and of course, his hometown of Miami.

An unabashed workaholic, Rivera is busy in his recording studios when not touring. He incorporates the sounds he hears on-the-road into his music. But the jewel in Rivera’s crown is his label, Juicy Music. Juicy Music’s roster includes artists as diverse as: Antoine Clamaran, Coburn, Superchumbo, Mark Knight, David Guetta, Steve Angello, Sebastian Ingrosso, Stonebridge, and emerging talent, such as Willie Morales, Paul Harris, Louie Padilla, Rooster & Peralta, and DMS12.

Since 2005, Rivera and his wife and business partner, Monica, have been the driving forces behind the world-renown Juicy Beach party at WMC in Miami each March. The 17-hour events at Nikki Beach Club attract a cast of over 7,500 clubbers as well as A-list DJs, and the party has gone on to become one of the week’s most successful events. Likewise, the Juicy Ibiza parties in Ibiza welcomed up to 6,000 clubbers at Amnesia’s beautiful terrace in years past and at Privilege in 2009. The Juicy brand is expanding to new territories, including: within the U.S. (i.e. New York, Los Angeles, Chicago); the UK; and Spain, with new locations being added.

Rivera was voted “Best House Producer” by Beatport and “Best Remixer” by the IDMA Awards (International Dance Music Awards) in 2008. In 2009, Rivera released the fourth Juicy Ibiza compilation, and the release hit the ‘Top 5′ in iTunes sales globally, buoyed by the record deals with Black Hole Recordings and Ultra Records. With a residency at Privilege in the summer of 2009, Rivera saw success with the release of his latest artist album, Closer To The Sun (Ultra/Black Hole). The album garnered critical praise and a great deal of media attention within the U.S. and internationally, with hit singles that included “Closer To The Sun,” “Let Me Sip My Drink” feat. Fast Eddie, “Rock The Disco” and “We Live For The Music.” Those tunes succeeded at radio, on the dancefloor, and also thrived amongst fellow DJs in their respective record crates. Additionally, Rivera’s remixes for Nelly Furtado’s “Manos Al Aire” and Basement Jaxx’s “Raindrops” have also been hammered by Tiësto, Yazz, and the Plastik Population. It’s 2010, and of his plans for the rapidly approaching future, Robbie Rivera has only this to say, “I’ll keep making quality music! Period.”


Gareth Emery at Club Glow Washington DCGLOW Washington DC presents:

Gareth Emery
garethemery.com // Garuda-UK

Opening Set by Roberto Gonzalez

Saturday, October 9 2010
Fur Nightclub
33 Patterson St NE Washington DC
Doors Open at 10pm, Ages 18+

Purchase your tickets here!

Show Preview

One of the clear-cut crowd favorites from Electric Zoo, the #9 DJ in the world is returning to Glow this October to show DC what he’s been working on lately… chiefly his debut artist album! In the world of electronic music these days, to come out with an artist album is a major accomplishment. The business has shifted to a place where livings are earned through live performance and releases are confined to singles and EPs. Yet here is Gareth Emery, giving the people all they could ask for and more!

2010 has been a crazy year for the Garuda chief. The massive success of remixes and mash ups like ‘On a Metropolis Day,’ ‘Lonely Girl’ and the ‘classic’ status given to ‘Exposure’ by trance fans everywhere has no doubt pushed Emery further up in the pecking order of fan favorites and world class DJ/Producers.

But these tracks are nothing compared to his new album. Northern Lights is going to be… going to be… we’re not even sure what to say!! Go to the music section and check it out for yourself!!!

 

Bio


To say Gareth Emery has had a good year would be a vast understatement. Over the past twelve months, the popularity and buzz surrounding the young Brit reached explosive proportions, culminating in him being voted no.9 in 2009’s definitive DJ Mag Top 100 poll: one of only a handful of DJs to crack the world’s top ten before the age of 30.

Was this down to producing pure club anthems like Exposure and Metropolis alongside stunning remixes for Armin van Buuren and Above & Beyond, all of which led to him spending more time at the top of Beatport’s trance chart than any other artist in ‘09? Maybe it was the launch of his new Garuda label and club night, responsible for selling out Manchester’s iconic Sankeys club four times in a row whilst releasing his critically acclaimed compilation ‘The Sound Of Garuda’. Or perhaps it was the sheer amount of people he played to, banking half a million air miles travelling to over one hundred gigs at some of the world’s finest clubs and festivals. Whatever the reason, one thing is for certain: he’s on fire like never before.

Of course, what seems like ‘overnight’ success is usually the result of years of hard work, and Gareth Emery is no exception. He started learning the piano at 4, and whilst he’d completed his classical music training before he’d finished school, his real interest lay elsewhere, initially in guitar-based sounds. This was the UK in the mid-90s with Britpop and indie the order of the day, although as one might expect, Emery was no slouch, following the footsteps of Green Day and Oasis by headlining Southampton’s legendary Joiners venue at the age of just 15 with his band at the time. But it was a chance trip to Ibiza in 1998 that opened his eyes to the appeal of dance music, and after spending the next three years learning to make music with computers and midi, rather than guitars and pianos, he wrote his first electronic classic: the seminal ‘Mistral’, famously made whilst on holiday in France on a £500 laptop. Plenty more were to come.

These days, his records (which are composed, produced, and engineered entirely by him), span the worlds of trance, progressive, electro, techno, and a few other places. Languid, spacey grooves, juddering basslines and original melodies that take your breath away mean that it’s a given that Armin, Tiesto, Oakenfold, and Judge Jules have all been fully paid-up members of the Emery fan club for years. But more importantly, he’s firmly established as one of those rare producers who values quality over quantity, preferring to make five amazing records in a year then twenty average ones, and even happily refusing to release a track if it doesn’t feel “just right”, to the occasional frustration of his fans. It’s this uncompromising attitude, that drive for something unattainably perfect, that has made him one of the most sought-after producers and remixers on the planet.

But if there’s one place where he’s even more at home than in his studio, it’s behind the decks, where he’s morphed into the consummate superstar DJ, unequivocally demolishing dancefloors the world over. From global superclubs like Zouk in Singapore and Guvernment in Toronto, to epic festivals like Global Gathering, Trance Energy and Dance Valley, to the mega-brands like Ministry of Sound and Godskitchen, the utterly unique, instantly recognisable Emery sound continues to pack out more clubs, in more places across the world, than ever before.

The rise of Gareth Emery to dance music’s premier league has been untraditional in almost every sense, and looking at his career, one gets the feeling he almost likes being the underdog. In 2009, when he was advised against launching his Garuda club night in the midst of one of the harshest recessions in living memory, he went ahead regardless, going on to totally sell-out every Garuda party that year. He also chose the road less travelled in 2006, when he turned down numerous offers from established radio stations to instead experiment with a virtually unknown format known as podcasting. It was a gamble that paid off, as four years and 100 episodes later, The Gareth Emery Podcast is now one of the most popular and influential dance music downloads in the world, with Emery’s famously diverse track selection and charismatic broadcasting style resulting in TGEP being nominated for ‘Best Podcast’ at the Miami Winter Music Conference IDMA Awards three years running.

Having also eschewed the lure of corporate major labels since the beginning, (almost all of his singles have been released on his own imprints), he’s living proof that you can amass a truly global following with little more than the power of the internet and some outstanding music. With millions of viewers on YouTube and legions of fans on Facebook, Twitter and Myspace, he’s a modern artist in every sense of the word; one with his finger truly on the pulse of the globalised, digitised planet we now inhabit. He sums it up in a recent interview: “At the start, there was no helping hand: I had no record deal, no money, and no idea about how to make my way in the music business. Basically I was just a kid from Southampton, who was making half-decent music on some very cheap equipment, and told people to check it out. The rest just sort of happened”. Inspirational stuff for talented kids everywhere.

With a list of achievements already far surpassing most DJs ten years his senior, Gareth Emery could easily sit back and be content with his lot, but you get the feeling that won’t be happening. After seeing his Garuda brand become the hottest label and club night launch in recent years (the quantity of Garuda t-shirts you now see at Emery gigs is testament to that), his plans for the next year are firmly rooted in the studio, where he’s determined to finally finish his long-anticipated artist album. “2009 was really all about Garuda. I started the year without a real home for my music, and now I’ve got one – as well as our Manchester residency which really was the surprise success of the year. But whilst Garuda has some amazing releases and nights lined up for 2010, for me, the next year’s all about finishing my album. I’ve been promising it since 2006, and whilst making a LP is undoubtably challenging when you spend half of your life abroad touring, I’m determined to put everything aside to finally nail it this year”.

At just 29, Gareth Emery’s well on the way to conquering the electronic music world, and if he finally cracks that artist album, he might just do it. Whatever happens though, 2010’s set to be a big one, as the worldwide Garuda massive eagerly await to see what’s coming next from this uniquely talented artist. We can’t wait – see you on the dancefloor.

 
 

Absolut Pop at Pop Nightlife at Ultrabar Nightclub DC. DC Clubs.

Absolut Pop, Friday October 8th at Pop at Ultrabar

Absolut Vodka is sponsoring POP this week for ABSOLUT POP at Ultrabar!  Prepare for a night of Absolut insanity at one of the best DC nightclubs, Ultrabar!

Absolut Open Bar!
9pm – 10pm on Main Floor

Free Bottle of Absolut!
With every table booked! Book now!

Get an additional bottle for $150!
Available at all tables all night!

$6 Absolut Mixed Drinks!
All night long!

And of course, don’t forget the great DJs playing the best music on the 4 dancefloors throughout the club!

Main Floor: DJ Geometrix
Top 40, Mashups, Hip Hop

POP Floor (Vault): DJ Maskell
Pop Dance, Pop House

Bedroom (2nd Floor): NV & Bomba
Latin Music, Reggaeton, etc.

Chroma (3rd Floor): DJ Spaz
Mashups, Dance, House

Plus, you can get in FREE to this event, just print out the pass below, show it at the door, and party on!

thanks_mini

Everyone’s home from school this week, which means its going to be extra crazy at Lima this Tuesday! If the past 10+ years have been any indication, College Tuesday will be nuts!

Sharam | Saturday September 25 | Glow at Fur

 GLOW Washington DC presents:

Sharam sharam.com/ myspace.com/sharam youtube.com/sharam facebook.com/sharam yoshitoshi.com)
Opening Set by Pleasurekraft pleasurekraftmusic.com | Great Stuff | Little Moutain | Definative | GLOW – DC
Saturday,…

Sam Adams | Friday 9/24 | Pop at Ultrabar

Straight outta Boston, we’ve got rising star Sam Adams coming to perform a set at POP on Friday September 24th at Ultrabar!
Best known for his “I Hate College” remix of Asher Roth’s track, and his new remix of Poker Face that’s hitting the club scene w…

Steve Duda | Thursday October 7 | Glow at Lima

You have never seen a performance like Steve Duda’s!! With live editing, custom visuals and his own specialized software, Steve Duda will bring a truly unique experience to Club Glow!! He has worked with NIN, Sugar Ray and Tommy Lee. He is a part of EDM supergroup BSOD along with Deadmau5!! Bonnie had Clyde. Jordan had Pippen. Deadmau5 and Steve Duda have each other.

Kaskade | Saturday November 27 | Fur

He’s remixed Beyonce, Lady Gaga, Pussycat Dolls and Just Timberlake. His Dynasty album has been played by everyone across the world. The last time he came to Glow the place was wall to wall madness. All the hotties come out for Kaskade! And of course, his set at Electric Zoo was re-god-damn-donkulous!!!

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