Abel Ramos: Thurs 7/28/11 [Glow at Lima]

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Monday, June 20, 2011, 9:20pm. (Updated: 7/29/11 at 1:57pm) Add comments



GLOW Washington DC presents:

Abel Ramos

Opening set by Omid S

Thursday July 23, 2011
Lima Restaurant and Lounge
1401 K Street, NW
Washington D.C., DC 20001
(202) 789-2800 ‎

Doors Open at 10pm, Ages 18+

DJ Chus, Lissat & Voltaxx – Vuela Paloma (Abel Ramos & Raul Cremona Iberican Remix) *Preview* by Abel Ramos

Quick Facts

From: Spain

Style: Tribal, progressive house

Famous Tracks: David Guetta – Stay (Abel Ramos Remix), David Guetta Ft Kelly Rowland – When Love Takes Over (Abel Ramos Paris With Love Remix), Abel Ramos ft. Rozalla – Where is the love, Abel Ramos & Miss Melody vs EBTG – Missing Rotterdam (Axwell Bootleg)

Best Known For: Being named 2009′s breakthrough DJ of the year by Roger Sanchez.

Ya like Roger Sanchez, Robbie Rivera and Chus & Ceballos? You’ll love Abel Ramos. With support from Axwell and David Guetta, the guy’s music does the talking!

 

About Abel Ramos

When a house music legend like Roger Sanchez names his Breakthrough DJ/Producer of 2009, it’s time to sit up and take notice – meet Abel Ramos.

Born in February 1973 and raised in Madrid, Abel started DJing at a local club, aged just 15, playing anything that was synth-driven from Human League to Nitzer Ebb or Acid House.

It didn’t take long for Abel to establish himself as one of Spain’s most talented DJs, catching the ears of thousands along the way and winning awards such as Best National DJ from Spain’s answer to Mixmag, ‘Deejay Magazine’, gaining top gigs for the likes of Sensation, Rock In Rio, Global Gathering, and frequenting places as far afield as Australia. Abel has also established his SOLO event, which now attracts over 5000 people to the yearly show.

Not content with just playing the music of his heroes to local fans, Abel started producing music, which meant his sound could now reach audiences outside of the Spanish borders. It wasn’t long before Abel’s hard, techy beats were catching the attention of producers and labels throughout the world, including Swedish hotshot Axwell, who signed one of his first productions, ‘Rotterdam City of Love’ to his label, Axtone, after hearing the track being played in a club in Madrid. This track really opened up Abel’s sound to a generation of new producers: the groove just worked on the floor and everybody wanted a piece of the action.

Axwell was also instrumental in getting Abel’s remix of Fatboy Slim’s ‘Right Here, Right Now’ signed to Skint, as the Swedish House Mafia were playing it continuously in their sets. Soon label head of Skint, Dave Philpot, was being bombarded with requests to license the track and he requested a copy to play to Norman Cook, who liked it so much he decided to give it an official release.

Then when Abel didn’t think it was possible for things to get any better, an email arrived in his inbox from David Guetta, expressing how much he liked his work and asking him if he would be interested in remixing two of his tracks, ‘When Love Takes Over’ and ‘Sexy Bitch’. Both went on to sell thousands of copies around the world, making Abel one of the most in-demand remixers in the world.

Not content with setting dancefloors on fire with his DJing skills and productions, Abel also infects the radio waves, hosting a weekly radio program called Concept Music on one of Spain’s most popular radio stations, LocaFM.

2010 has been a year loaded with work for Abel Ramos. Following his intense workload as remixer, he has finally set aside valuable time in the study to concentrate on his own production’s. This material will mainly be released on his With Love Music, imprint in collaboration with Spinnin’Records. The first release “Dream Come True” featuring UK vocalist Erire has captivated the attention of many of his peers.
Some of the highlights so far have been his productions for Toolroom, King Street Sound, Juicy Music and Nervous, as remixer and the releasing original material.
Not forgetting his Dj performances around the globe appearances at festivals and clubs such as Rock In Madrid, Global Gathering Poland, Amnesia Ibiza, Stereo Montreal, Queen Paris, Space Miami, Roxy Prague or Discotheque Moscow, to name a few. In addition to realizing his first tour in Brazil with 10 performances at some of the best clubs in the country.
With all the above already to his name, like the S-Man predicted, Abel is more than capable of making it to the top.

 

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GLOW Washington DC presents:

Matt Goldman

Late Meal

Thursday July 21, 2011
Lima Lounge
1401 K Street NW
Washington D.C., DC 20001
(202) 789 2200

Doors Open at 10pm, Ages 18+

Matt Goldman



Matt Goldman is climbing the ladder to success, escalator style. From the moment he began, it was clear he had a natural affinity for spinning records. In just over a year, he has gone from complete unknown to opening for superstar DJ’s such as Afrojack, Kaskade, Max Vangeli, Funkagenda, and Thomas Gold.

Kicking off the summer with a bang, Matt won a global competition to open for Tiesto at the DC Armory in front of a sold out 10,000 person audience. He has recently gained mass recognition amongst the EDM world, due in part to his budding relationship with Avicii, performing alongside the Swedish sensation at four sold out shows in 2010.

Matt has quickly established a name for himself on the east coast, with regular bookings at prestigious clubs such as Glow Washington DC and Pacha NYC. He has appeared in many college towns across the country, and his mixes can now be heard blaring at parties anywhere from NYU to USC. Matt’s sound, a combination of uplifting house with dark and heavy underground beats, has won over discerning house music lovers and newcomers to the scene alike.

 

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GLOW Washington DC presents:

Cosmic Gate

Wippenberg

Saturday July 16, 2011
Fur Nightclub
33 Patterson St NE
Washington D.C., DC
(202) 842-3401

Doors Open at 10pm, Ages 18+

Quick Facts

From:Germany

Style: Trance, Progressive

Famous Tracks: CG: Firewire, Exploration of Space, The Wave, Not Enough Time, Barra, The Drums, everything they make is effin hot. | Wippenberg: Chakalaka, Super8 & Tab – Needs to Feel (Wippenberg Remix), 100 w/ Nic Chagall and Rank 1.

Best Known For: Being more popular than Oktoberfest.

DJ Mag Rank: Cosmic Gate – 24

DC loves Cosmic Gate. The fact that they brought Wippenberg just makes it that much better! Every time they come to Glow, DC nightlife is out strong, and for good reason! Cosmic Gate pumps us up like no one else!

 

About Cosmic Gate


Introduction: Over 11 boundary-pushing years, Nic Chagall and Bossi have developed Cosmic Gate into one of the most creative and highly-sought-after electronic music acts on the planet. Revered uber-producers, their combined musical acumen has made them evergreen favourites of trance music’s highest echelon. Four hugely-received albums have transported tracks like ‘Not Enough Time’, ‘Body of Conflict’, ‘Analog Feel’, ‘F.A.V.’ and classics including ‘Exploration of Space’ and Fire Wire onto a now uncountable number of dancefloors. As DJs, the effortless cool of their kinetic, enthralling live sets are seen by hundreds of thousands of club and festival goers annually. It’s this perfect storm of production and spinning power that saw them become the highest-climbers in DJ Mag’s 2009 Top 100 chart and land at no. 24 in 2010.

The pair first collaborated in the studio after a chance meeting late in ’98 at a label office in Cologne. It’s a production partnership that has become one of the dance world’s most successful. In their homeland of Germany, they’ve maintained a consistent level of chart success, with no fewer than 7 Top 40 singles to their name and claimed a UK top 10 hit with ‘Fire Wire’. Drawing on a broad-range of their individual musical tastes and inspirations, they’ve continued to modify and enhance their sound…

Following up the long-players ‘Rythm & Drums’ and ‘No More Sleep’, in 2006 they released ‘Earth Mover’, which saw a shift towards edgier, more expansive electronic dance music. It gave rise to the club hits ‘Analog Feel’, ‘Should Have Known’ and ‘I Feel Wonderful’ and garnered an IDMA nomination for Best Album of 2007. Latterly this was viewed by the press as a new ‘Year-1’ for Cosmic Gate. Three years later Nic and Bossi released their much-anticipated followup. ‘Sign of the Times’ contained 11 new tracks including vocal anthems ‘Body of Conflict’ & ‘Not Enough Time’ (featuring Denise Rivera and Emma Hewitt respectively) and the singles ‘F.A.V.’, ‘Flatline’, ‘Under Your Spell’, ‘London Rain’ and title track ‘Sign Of The Times’. The response to the album was nothing short of meteoric. They received a Best Selling Trance Act nomination in the 2010 Beatport Awards; scored an IDMA nom for ‘Not Enough Time’ and were catapulted 43 places up DJ Mag’s 2009 chart. In light of its extraordinary level of success, in September 2010 a double-disc Deluxe Edition of the album was released which included all the singles remixes and exclusive, specially prepared revamps of other S.O.T.T. tracks.

As DJs Nic and Bossi continue to whip floors to frenzy-level in all four corners. Most recently they’ve rocked some of America’s most prominent events – Electric Zoo, The Electric Daisy Festival, Audiotistic and Perfecto Night in Las Vegas among them. They’ve brought mayhem to Ibiza’s 2010 season with hugely received performances at Armada at Amnesia and Judgement Sundays, played mammoth the Global Gathering festival in Russia and headlined Godskitchen’s tours in Australia and Mexico. They’ve appeared in DJ Magazine’s list of Top 100 spinners for 7 consecutive years now and are regular festival attraction, spinning at events like Trance Energy, Mysteryland and Dance Valley in Holland, Smirnoff Experience in India and on the horizon Future Music in Australia in 2011.

Back2Back, Cosmic Gate’s on-going compilation series was devised as an at-home audioexpo of the pair’s club-wowing sound. 2010 saw the release of the 4th volume (through Holland’s highly-respected Black Hole Recordings label). Bringing Bossi and Nic’s tight, tense, futureproofed trance/prog/electro hybrid to the forefront, it once again included many of their own track edits.

Over their production lifetime, the Cosmic Gate remix has become nearly as illustrious as their productions. Essentially a blow-by-blow of trance music’s A-list, Nic and Bossi have lent their studio know-how to productions from Armin van Buuren, Tiësto, Ferry Corsten, Paul van Dyk,
Above & Beyond’s OceanLab project, Deadmau5 & Rank 1. They rewired John O’Callaghan’s mega-seller ‘Find Yourself’ to devastating effect and produced remixes of veteran trance producer Vincent De Moor’s ‘Fly Away’ and ‘Carte Blanche’ (Veracocha). In early 2010 Atlantic Records US approached them to remix James Horner’s ‘I See You’ – the main theme from the film Avatar. This run culminated in them being nominated for Best Remixer at the 2010 IDMAs. Most recently they have completed remixes for Robbie Rivera and Markus Schulz.

 

About Wippenberg


One of the biggest rising stars in the Electronic Dance Music scene, and creator of the club
hits “Chakalaka” and “Pong”!

Genre-warping electronic music adventurer Wippenberg (a.k.a. Olaf Dieckmann) has been supplying the world’s dancefloors with audio titans for close to 15 years. Most recently renowned for his neoclassical- anthems „Chakalaka“ and „Pong“, later receiving IDMA 2010 nomination as Best Progressive House Track alsongside David Guetta and Deadmau5. Wippenberg’s music hazes the
multiple boundaries of house, electro, trance and techno. This unique composite electronic blend
is now spun by the widest imaginable cross-section of DJs. He’s championed as much by Eric
Prydz, Angelo, Ingrosso & Axwell (also known as the Swedish House Mafia), as he is by Tiësto,
Armin Van Buuren and David Guetta. This casts Wippenberg as one of, if not, the most diverse
DJ/producer in today’s EDM universe.

In 2004 Wippenberg released the two ‘Elemental EPs’, which included the tracks ‘Fire’, ‘Water’,
‘Earth’ and ‘Air’. They drew strong support from the highest echelons of the DJ hierarchy and
pushed the Wippenberg name firmly into the headlines. The EPs release prompted close associates Cosmic Gate to collaborate with Wippenberg on their ‘Earth Mover’ album with the track ‘Guess Who’. Around the same time he completed work on his next single ‘Promised Land’, and with it came a new label relationship with Dutch heavyweight independent High Contrast Records. The track (which featured the vocals of Tiff Lacey and was remixed by Nic Chagall) beat the drum hard for what was to prove his renaissance record.

In 2008 ‘Chakalaka’ (partnered by the B-side ‘Drumster’) exploded into the clubbing consciousness, thanks in no small part to major 3 monthlong floor and radio hammering from Tiësto and Armin Van Buuren. As was always Wippenberg’s desire the tracks started to chip away at the stylistic borders of dance and came to enjoy heavy deck support from Sebastian Ingrosso, Eric Prydz, Eric Morillo and Dirty South, amongst a multitude of others. The track maintained a grip on the No.1 chart position on Beatport for an incredible 12 weeks. Late that year and branching further out still, Wippenberg launched a new nom-de-plume Sphaera. The tracks ‘Front & ‘Back’ were released on
Black Hole Records to, once again, broad DJ acclaim.

Famously, Wippenberg carved his name deep into the heart of the mid-90s dancefloor with his very
first track – the unforgettable, speaker-assaulting ‘Neurodancer’. Released on Hyper Hype, it
became an import smash and was picked up by Hooj Choons off-shoot Prolekult. To this day
‘Neurodancer’ rests as one of the hardest-to-find and most in-demand pieces of dance vinyl in the
world – regularly changing hands for many times its original price.
No Wippenberg biography would be complete without mention of Wippenberg’s remix and spinning work. Behind the decks his characteristic musical taste, which can be categorised into one certain genre, as he loves the freedom to mix different stlyes, has started to generate huge demand.

Meanwhile he is touring all around the world from Germany to Russia, from Australia to Brazil, even
the people of India or Qatar fell in love with the Wippenberg sound. It has seen him blaze a trail at
Europe’s leading festival events like Trance Energy, Mayday or Mysteryland and rock at Armin Van
Buuren’s ASOT400, as well as dozens of other, clubs, festivals and tent-poles events.
At the remix end of the mixing desk, Wippenberg has refashioned countless tracks of A-List
production outfits, like Sebastian Ingrosso’s MGMT ‘Kids’ sampling classic-tune „Kidsos“ and
Rank 1’s Trance Energy 2009 anthem ‘L.E.D. There Be Light’. But he also refined releases from
Tiësto, Tocadisco, Above & Beyond, Paul Van Dyk, Cosmic Gate, Gabriel & Dresden, and
Super8 & Tab. Most recently he remixed danish high-flyer Aura Dione’s new single „Song For
Sophie“ and gave her pop-ballade a classy progressive house outfit.

For his new single he teamed up with nobody else than Nic Chagall and Rank 1. Together they
created the track „100“ (which is also the 100th release of the label High Contrast). It has the typical
Rank 1 anthem signature, Nic Chagall’s progressive trance feeling and Wippenberg’s progressive
beats. Out on 14th June 2010, this is going to bet he next ueber-track from Wippenberg! Watch out!

http://www.myspace.com/wippenberg

For more informations contact Kiss That Sound Artist & Music Management: info@kissthatsound.de
www.kissthatsound.com www.myspace.com/kissthatsound

 

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GLOW Washington DC presents:

Boris

Opening Set by Matt Goldman

Thursday July 14, 2011
Lima Lounge
1401 K Street NW
Washington D.C., DC 20001
(202) 789 2200

Doors Open at 10pm, Ages 18+

Quick Facts

From: USA (NY)

Style: Tribal house laced with ridiculous drums

Famous Tracks: The Believe mix series

Best Known For: Being NY’s top resident-turned international star

A true product of Manhattan’s legendary electronic scene, he has spun at many of The Big Apple’s most legendary nightclubs, including Exit, Roxy and residencies first at Crobar and now Pacha. His high-energy sets are famous for their big drums and bigger builds.

With a career that has spanned over 15 years, Boris has come to represent everything that’s right about house music. His tenure at clubs across the country is matched only by legends such as DJ Dan, Danny Tenaglia and Junior Vasquez. His producing and engineering skills are the crème de la crème in any group of musicians.

Boris has worked with a who’s who of music industry mega stars including Janet Jackson, Missy Elliott, Jewel, Pink, Brandy, Usher, Brittney Spears, New Order, Boys to Men, 98 Degrees, Mya, Shania Twain, Salt-n-Peppa, Cindy Lauper, Jordan Knight and numerous others. With a list like that, there isn’t much more that needs to be said.

 

About Boris


The rich heritage of New York nightlife is focused on the figure of the resident DJ: The homegrown jock that puts down roots in a single venue, bonds with its crowd, and explores the limits of a DJ set with his faithful. The DJs who flourish in this demanding environment go on to become folk heroes, not only in New York, but all over the world (see Larry Levan, Danny Tenaglia, Junior Vasquez).

DJ Boris started his ascension to these ranks in 2004, when the native of St. Petersburg, Russia took up residence at New York super club Crobar. It was the culmination of years of workhorse gigging at almost every club across the Big Apple. But it was more than that too: It was a movement that has shown no signs of fading.

Boris (birth name: Boris Inzhin) started moonlighting as a DJ while taking classes at the Institute Of Audio Research in New York. With a metronomic mixing ability and a penchant for expansive, groove-based power-house music, the jock quickly found work both in DJ and production booths, playing at clubs like Exit, and Roxy, and remixing artists like Janet Jackson, Jewel and Gloria Estefan. In 2002, his mix of Pink’s “Get This Party Started” hit No.1 on the Billboard Hot Club Play chart.

His relentless approach to bring his cult of followers the best sound and experience possible has taken his production to even greater heights. Powerhouse industry labels like *69 Records, and Stereo Productions have wasted no time in signing Boris projects to their labels. Dancefloor missiles like “Automatic,” “Everybody Tweakin’,” “Lights Go Out,” and Lisa Pure’s “Movin On” have been embraced by a culture of beat aficionados, in and out of the many clubs DJ Boris has grown to call home.

And if home is where your heart is then Boris must be endowed with a heart the size of North America. His movement has rewarded him with residencies in every major city. Now a regular on the city’s club circuit, the name of Boris started to become associated with unapologetically massive music: big drums, big riffs, huge build-ups and lots of energy. Propelled by the promise of a great party experience and by a growing affection for the approachable DJ and his humble manner, his crowd swelled. By the time Boris debuted at mega club Crobar in May 2004, his faithful numbered in the thousands, united under a spontaneously created banner: “Believe in Boris.” Boys stamped it on their T-shirts in masking tape, girls Sharpied it on their flesh, and eventually Crobar flashed it on their video screens: A battle cry for a clubber’s revolution.

While at Crobar, Boris set the 30,000-square-foot club’s attendance record (a swinging-from-the-rafters 5,400), released his first mixed compilation (aptly titled “Believe”), and started to gig regularly outside of NYC, in markets like Miami, and Las Vegas. In 2006, when it became apparent that Crobar would close, Boris uprooted and moved his crowd 20 blocks north to Pacha New York, the first North American branch of the fabled European club brand, without missing a beat. He is still a Pacha resident.

Boris’ faithful service to the clubbers of New York has been rewarded with two Club World Award “Best Resident DJ” nominations (one while at Crobar, and one while at Pacha), a DJ Times cover story, a top 5 finish in the national America’s Best DJ fan poll, and a new residency at super club Space in Miami. Add this to the already accomplished residencies he holds at Rise in Boston, Therapy in Rhode Island, as well as his regular appearances at Ruby Skye in San Francisco, 960 in Connecticut, Deko Lounge in New Jersey. He’s also become one of the reigning kings of Winter Music Conference week, throwing massive pool parties by day and after-hours marathons by night for thousands of fans. The spoils of success have not halted his enthusiastic work ethic either. His ongoing pursuit to creatively, and musically express himself to those who adore him, has no doubtedly outgrown our own country’s limited borders. With his global campaign as New York’s premiere DJ underway, believers can be found from all corners of the planet. Venezuala, Colombia, Marrakech, Barcelona, Madrid, Ibizia, London, Montreal, Mexico, and Toronto have all been blessed with his energetically extreme beat orchestration. Boris and his team are currently planning the release of his fourth mixed compilation, and a series of European, and South American dates to compliment his tremendous ability in the studio.

So world, New York wants to know: Are you ready to believe in Boris?

 

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GLOW Washington DC presents:

George Acosta

Opening Set by Roberto Gonzalez

Saturday July 9, 2011
Fur Nightclub
33 Patterson St NE
Washington D.C., DC
(202) 842-3401

Doors Open at 10pm, Ages 18+

Quick Facts

From: USA (Miami)

Style: Progressive House/Trance

Famous Tracks: True Love feat. Fisher, Angelfalls feat. Ayla, Mellodrama

Best Known For: Pioneering trance in the US, being Glow’s first ever booking, running one of Miami’s most successful club nights at Shadow Lounge

Trance legend George Acosta started it all for Club Glow back in ’99. He February performance at Fur brought the old and young heads together with some of the best straight EDM out there. The young heads couldn’t believe that a guy that’s been around for so long is still so amazing. The old heads recounted past glory.

George is back this summer at Glow to school the new generation of dance fans on how to do clubbing in the US justice!

 

Bio

Trance, whether you like your trance melodic and uplifting, or hard and fast, trance by any definition is here to stay. From the warehouse parties of the late 80’s to car commercials in 2001, trance has become part of the new millennium, part of our lifestyle. And all because of DJs like George Acosta. George proves every time he puts a needle on a record that “trance”, whatever the label, has changed, evolved, become a lifestyle, a culture… as well it should. With over 15 years of experience as a DJ and producer, George has helped change and evolve trance from an underground movement to massive festival experiences throughout the world. “George Acosta is probably America’s most unique DJ and has undoubtedly been a major force in shaping the sound of trance in Miami and beyond” says fellow DJ Dave Ralph. George Acosta is America’s representative in the global Trance scene.

Coming up playing warehouse parties in his native Miami, he then went on to producing tracks of his own with such international hits like Planet Soul, Emotions, Taking Over Space, R U Awake and The Reaper. He then made the next logical step for a successful DJ/producer and opened his own record store, Grooveman Music in Miami.

He knows his crowds so well because he is just as big a fan as they are of his music. Just like the thousands he plays for, George Acosta lives it. George tries to maintain a close connection to the people who come to hear him play because like them, he discovered the music as a fan first.

It was during his three-year residency at Miami’s famed Shadow Lounge that George honed his craft and began educating South Beach to this wonderful emotional roller-coaster ride that was quickly moving west from Europe. Now firmly entrenched in South Beach, George produced his first mix cd, “Awake”. This became the definitive sound of South Beach. It was this same cd that helped propel George on to the world stage.

With record bag and headphones in hand, George prepared to move the planet in his own unique way. He began playing some of the biggest clubs and festivals in the world, Berlin’s Love Parade, Miami’s Ultra Beach Festival and Rave on the Rocks to name a few. And with demand for George reaching a fever pitch, he produced his second mix cd,”Release: AM and PM”. This ambitious double cd was representative of his legendary all night sets, evoking the different emotions and textures of his sets, from epic, string-soothed splendor to searing tech-trance.

The demand for all things George Acosta soon led to other successful mix cds: such as “Trance Nation America” through Ministry of Sound along with his latest release entitled “History of Trance” on Ultra Records. George is also currently in the studio working on some original material with such artists as worldwide sensation Jon Secada among others.

“Traveling to different places and countries every week, playing for so many people–it makes me want to play more intimate stuff,” he explains. “I used to play harder. Now I’m into the more melodic stuff. I guess when you grow into this scene you want to play records that mean something.” George proves he’s a trance DJ that can move onto something bigger and better. “Whenever I play anywhere, I feel like I am at home, I look down to the dance floor and I see my people, they understand me, they understand what is happening as I spin my records.” It’s a journey that happens week after week, and George is their guide.

 

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mfssmini

They’ve remixed Bruno Mars, Flo-Rida, David Guetta and all your favorite pop stars! They can fit 200 songs into a 2 hour set and will be headlining at the upcoming Identity Festival Tour. This is you first taste!!

PVD_back

The #6 DJ in the world, Paul van Dyk has produced some of the most epic dance music… ever. His track ‘For An Angel’ ranks 11 on the Trance Top 1000 all time list. We’re shaking just thinking about it!

SLEGERmini

You’ve met Guetta, Solveig and Clamaran. It’s time to walk the gritty edge of French house with Sebastian Leger.

avicii

Every song he makes is awesome, doesn’t matter if you like 80′s, hip-hop, funk, house, rock and roll, who cares. Avicii is the feeling you get when a gorgeous woman with long nails offers to scratch that itch in the middle of your back that you’ve been trying to reach for 35 minutes.

LBLmini

His crowd interaction is among the best, the beats bang, the energy is there, what more can we say? Laidback Luke, at #17 in the world, may be one of the most underrated DJs out there!

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